By the time you read this the Sanctum Imperialis will be complete. All the finials have been painted,as well as the buttons and lanterns.Buttons and screens have been done internally too.With just some select Tamiya Clear to be added after varnishing. I tried to keep the button colour limited to warm colours, just didn't want yet another set of colours, it's already garish.And, having bust a gut to meet the weekend deadline for the store painting challenge it turned out it is next weekend afterall! Still, having that deadline pushed me to finish so I don't mind.Now what...?
This is becoming somewhat of a saga now. I've got all the stains to do and the shading but staining all these rivets is incredibly tedious and despite it solving my issues with the verdigris my motivation is through the floor - I think I need to do a separate 'where's my head @' post to get that all off my chest/mindBut I persevered and used my Vallejo Sepia wash and as you can see on the left, where I thinned it the wash split exactly like Seraphim Sepia. However, I was washing it again with black so I was not disheartened, in fact the result is great.I did a fair few panels before I stopped thinning it with water, it's a bit harder to work it into the crevices without but I eventually learned my lesson.There are a lot of rivets and areas that needed shading.But the sepia followed by Army Painter Dark Tone managed to bring it all back down to an acceptable level.The big ruin was a daunting prospect though and it took a fair bit of motivation to tackle all those rivets.Question: do I paint the scrolls either
I cannot believe how much this colour choice is challenging me. Luckily after a plaintive appeal on twitter [as well as feedback here] I had enough reassurance from these pictures to keep going.I mean I still had reservations but folk liked them and ultimately the decision has been made what direction these were going in, that's inevitable now. It was just actually doing it, like magnets sharing the same poles opposing each other.And instead of taking the big piece to this stage I actually took the medium piece to the next stage - adding shading and stains ot all the rivets and edges with the result I am much happier with where this is at now.Although the turquoise is still very much in your face that shading on the right hand side is working so much better than the non-shaded left in the pic below.These three sections, plus the front and the two sections from the small corner piece [more on that later] were shaded in one sitting, so now I have a measure of how long that will take.I added staining to all the
Annoyingly I was beginning to stall on this the raw bronze matched the red walls so well with the cream interior complimenting it all and I was going to throw all that turquoise into the mix?! But before all of that I needed to gild the doors a little so they were a little more brassy/polished bronze. At least that was all I'd hoped it would be.I'd already gone full verdigris on the roof top. There had been an original plan to do it rusted steel but if I chickened out of weathering the buttresses [obviously I didn't when you look closely] I'd have explored the effect in the roof at least. Unfortunately, even with my Photoshop mock-up and the reality in my hand I started to doubt this route even more. It was probably what prompted me to build some new figures! The roof is fully highlighted but I'll be putting some shadow washes on as I've been observing some patina'd overhead power cables at some of the train stations on my commute and black shading appears in some areas. Ideally that should have capture
If you follow the 40kaddict Facebook group you'll have seen some of these pics already. The plan was always to do full-on verdigris on the uprights, buttresses and external skirting boards, despite adding some highlights to the bronze. First was a wash of Army painter Hawk Turquoise.Then another wash of my turquoise craft acrylic, followed by another drybrush of turquoise/white mix and I think it matches quite well my Matt Black Hero of the Imperium statue.But putting it next to the big piece I was wracked with doubt about losing the bronze. It's such a consistent effect and will not stand out too much on the battlefield - tonal backdrop that does not detract from the miniatures.But I realised I could Photoshop it to see the end-result and with the small piece rotated I could copy+paste elements across.I also got to conceptualise the red glass finials, although didn't add the patina in the door relief. Asking in the group got a mixed response but I think the majority said go for it. The patina is my th
The big piece needed its grunge shading, it's come over all Tudor dwelling like.Welcome to the grotty grotto.I just wish I could leave things at this stage......but you know I can't and I'll be all over this with more paint...2nd highlights, not sure if I've lost or gained with this? Definitely lost some of that oil paint effect :( but it was a bit OTTI think I've got a mixture of both + and -. I just sponged on an even lighter shade.Still some details to pick out and some shade applied in the recesses.All the internal bronze 'skirting boards' need a sponging of Balthasar Gold. Ultimately the net gain or loss doesn't really matter. I'll do my process and what the end result is will suffice so it's best not worrying about it really.Strong Tone wash in all the creases on the medium piece, as well as 2nd highlights.At least there's consistency across the pieces. Don't know whether those two panel things on the right hand side are electrical switch boxes with wires/cabling going inside or just structural features
I was a little disappointed with how my highlights had gone in my previous post so I decided to bring back the redness with a glaze of Bloodletter, followed by some purple shadow washes and I'm much happier.Here's a before and after, although colour accuracy is far from perfect you can see it's definitely changed and more importantly for the better!But despite the desire to make these buildings fit the Red Planet BASE! of Ferron Proxima so it wouldn't be too distracting in battle I had decided to flip that vision for the interiors.We paint the insides of our homes and offices independently of the exterior anyway and bone [Magnolia] seemed like the obvious choice. This way from the outside it blends in with the board but from a different angle viewing the inside you get a whole different effect.I scruffily stippled on the paitn as I will be adding a lot of shading to make the dilapidated interior I have visualised in my head.Aeverything has been shaded with my Burnt Umber art acrylic. It's a funny paint with t
With every intention to finish of my Dark Shroud I was then tempted to put some effort into my Sanctum Imperialis while my magnetising efforts cured. I'd finished building it in September 2018 and that was a distraction from my Hierophant. I'd also dropped this part like a hot potato when I came to paint the Warplock Bornze on all the buttresses and doors. But with time to fill I finished all the bronze off and in some areas mixed a replacement with some craft acrylics - bronze+metallic black+brown.I then shadow washed it with a mix of Burnt Umber+Black art acrylics. You can also see I stippled on som vermilion in places - a mistake, as a drybrush would have acheived better results. I also washed the bronze in places and it looks so awesome and yet I'll cover that all up with extra highlights. I don't know why I can't leave well enough alone?The side walls will be drybrushed with vermilion next.The taller structure and at this stage this is about as grimdark as I've possibly ever got. I need to remember this