At this early stage of the Race Queen attire I sought only to apply the mid-tones of the clothing's color scheme, which in my way of doing things is synonymous with the basecoat layer. As to the colors themselves, I went for a previously used combination namely the Pantone Color of the Year 2016 comprising Rose Quartz and Serenity. The Vallejo Model Color rough equivalents are 70.944 Old Rose and
What is past is prologue ... so goes the oft quoted Shakespearean line from The Tempest. While in modern times this phrase has frequently taken on a meaning different from that intended in the play, it is the original interpretation which applies in my case. For it seems whatever technique I had learned and applied in the past had almost no bearing on the painting of the Race Queen's skin tone. I
In what is my first sustained art session in three and a half months, I finally resumed work on the atelier iT Race Queen. And after doing nothing for so long, I was happy just to do something, anything, even if it's the bare minimum of applying pastel shadow colors to spaces between the fingers of a 1/12 scale figurine. It isn't much physically. But mentally it's a lot. It's a start.
Airbrushed skin tones are great, and I love the results I've gotten so far. But by itself, airbrushed skin tones are incomplete especially around facial features and hands. Such detailed areas require more finesse which is the purview of hand painting. In addition to applying acrylic, enamel or even lacquer colors by hand using the good old paint brush, I am also trying to learn new techniques
Investing in a mid-range airbrush is turning out to be the best decision I've made in this hobby so far. It has allowed me to achieve ultra smooth skin tone transitions quicker and better than I ever could with regular hand brushed strokes. And because it's only my first attempt at airbrushing flesh hues on a figurine, there is still room for improvement. This is in itself extremely encouraging